Hamid Asadzade

Born in February 12th, 1984 Iran, Mazandaran, Amol 2012, Bachelor of Art, Master of Painting field of Tehran Art and Architecture University Starting visual art from 2000 and starting it professionally from 2004 From 2015 up to now, art manager of Isoo gallery, Amol The founder and manager of Borjass art group and Bojass dialogue-based projects From 2010 up to now, management of Resident in Crumple academy, Amol From 2010 up to now, teaching art, Resident in Crumple academy, Amol 2010-2016, teaching at Art Universities of Mahmoud-abad, Mazyar of Nour, Applied Sience of Amol, Faza Art and Industry of Amol 2005-2009, member of Hajm Sabz art group 2007, major member of Zar group 2008, founder and major member of Galva group Exhibitions Arranging more than 10 solo exhibitions and 120 group exhibitions Among…

Solo exhibition
2019, Squint, Isoo gallery, Amol 2015, drawing and painting exhibition with the title of Of This Suspended Insanity, Isoo gallery 2008, Hajm Sabz gallery, Ghaem-shahr 2006, Painting exhibition, House of Culture, Amol 2005, Drawing exhibition, Amol House of Culture etc…  Group exhibition2020, Collection of Pains, Borjass dialogue-based projects, Isoo gallery, Amol 2019, Atomization, Borjass dialogue-based projects, Isoo gallery, Amol 2019, participation at Ostrale biennale, Borjass art group, Dresden, Germany 2019, drawing and painting group exhibition, The Devious Tune of Silence, Gozar gallery, Isfahan 2018, Hajm Sabz drawing and painting group exhibition, Hepta gallery, Tehran 2017, Contemporary art exhibition, Borjass projects, Aaraan gallery, Tehran 2016, Contemporary art exhibition, Borjass projects, Aaraan gallery, Tehran 2014, Mazandaran contemporary artists annual, Niavaran Art Hall, Tehran 2011, participation at conceptual art, Kuala Lumpor, Malaysia 2007, Mazandaran contemporary artists annual, Saba Art Hall, Tehran 2006, Hajm Sabz group exhibition, Asar gallery, Tehran 2005, Hajm Sabz group exhibition, Asar gallery, Tehran etc…

Curator of:
Contemporary art, Isoo gallery, Amol 2019, Borjass dialogue-based projects, Atomization of Iranian Identity, Isoo gallery, Amol 2018, arranging Amol New Generation artists exhibition, Zar gallery, Amol 2010-2019, arranging 15 courses exhibitions of art beginners artworks at Resident in Crumple academy 2015-2018, arranging 4 courses of contemporary drawing exhibition, Isoo gallery, Amol 2018, Amol paintists artists, Isoo gallery, Amol 2016, New Generation artists, contemporary art, Isoo gallery, Amol 2015, an exhibition with a group of Iranian artists for the opening of Isoo gallery, with Hamid Asadzade, Isoo gallery, Amol 2009, Mazandaran paintists exhibition, Zar gallery, Amol 2007, Iran paintists community exhibition, with the management of Fariborz Zarshenas, Zar gallery, Amol 2006, Exhibition with the title of China Expo, with the management of Fariborz Zarshenas, Zar gallery, Amol Dialogue-based Talks 2015-2019, arranging more than 30 talks about visual art at Isoo gallery, Amol 2019, arranging Borjass dialogue-based talk, Breeding the Public Taste at Pahlavi’s period, book analyze, Ali Gholipour, Isoo gallery, Amol 2019, arranging Borjass dialogue-based talk, The Every Day in Post-revolutionary Iran, book analys, Abbas Kazemi, Isoo gallery, Amol 2019, arranging Borjass dialogue-based talk, Contemporary Art and Social Issue, Omid Ghajarian, Isoo gallery, Amol 2019, arranging Borjass dialogue-based talk, Avant-garde artist and professional artist, Isa Culandim, Isoo gallery, Amol 2019, speech about Atomization of Iranian Identity, Isoo gallery, Amol 2019, speech about of Borjass dialogue-based projects, Yatoka Art and industrial workshop, Rasht 2018, speech about Reification of Islamic Thought, Boom art academy, Rasht 2018, free talk about my painting collections, Nour book city, Nour From 2010 up to now, arranging critic sessions of movie, theatre, music, Persian literature, Isoo gallery, Amol Activities 2010 till now, group making some video arts and presenting some performances and environment art For instants: Hours, Rope, At the begging of “Day” month, Snow Drop Rout, Funerary Monument

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Squint (Dilapidated sequence)
“Public opinion is one of the most important and complex areas of political science calculations. Politicians are very afraid that they will lose control of public opinion. The system of power controls public opinion either through public trust or through fear and intimidation, so that public opinion either trusts the historical analysis of the ruling system or reproduces its analysis of history in fear, thereby using history to justify and demand of each party are considered raw materials to interpret it as they wish. Public opinion calculates its historical actions based on everyday needs and narrates that part of history in the public space that searches for their daily needs and turns to historiography. Politicians also direct the same daily needs of the people through their media in the direction they want and turn to making history. Playing with historical events and personalities has become commonplace in today’s social and political space and cultural productions in public and virtual media. This exhibition is an example of a game with historical sources. A game that may seem a little more realistic or another game to hide history or emphasize the relative nature of historiography. Creating mechanical forms and interactive space with the spectator is an attempt to create a historical narrative and pass the audience through time and this is a method that is institutionalized in the conceptual layers of works, narration is one of the linguistic features in Iranian art culture, especially It is in Iranian literature and painting that I tried to borrow from it. The selected images in the works show documents that are handed out on a daily basis in cyber and library spaces. The characters are part of the political and influential post-constitutional heroes who have been in my game due to the necessity of time and are telling my stories from history. “